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These inspiring paintings are a visual reminder
of the defining truths of our faith. Fine Art
Reproductions make strikingly beautiful additions
to any church foyer, office, home, or sanctuary.
 


HOME

SALVATION

BAPTISM IN THE
HOLY SPIRIT


DIVINE HEALING

SECOND COMING
OF JESUS CHRIST


HOW THE PAINTINGS
CAME TO BE

ABOUT THE PAINTER

FAQ OF FINE ART
REPRODUCTIONS


READ WHAT OTHERS
ARE SAYING



ARTICLES:


WHY WE BELIEVE
by Wes Bartel

GOD’S WORD–STRAIGHT
FROM THE ART

by Dan VanVeen


PURCHASE

For more on the
Defining Truths plus
helps for teaching
them visit
WWW.AG.ORG/TOP/BELIEFS


How the paintings came to be...


     or quite some time, there has been a stirring within the Fellowship to focus on biblical doctrines. In a day when many people come to our churches with little or no Bible background, it is imperative we teach them the Bible has the answer to every human need. That begins with four core beliefs that are basic to Scriptural principles—salvation, divine healing, the baptism in the Holy Spirit, and the second coming of Jesus Christ.

One part of this initiative was to provide striking reminders of our core beliefs for the thousands of visitors and workers who pass through the Headquarters complex every year. Even though this is a response to our visual-driven culture, the practice of using art is not new to church history. For centuries, churches have used murals, sculptural, paintings, and stained glass to create visual reminders of Bible stories and important theology and doctrines.

Juleen Turnage, director of AG Communications and the Office of Public Relations, began an exhaustive search to find mural-sized art that communicates the ongoing presence, power, and compassion of Christ. She found that it didn’t exist and the leadership team realized they would need to have original works of art created.

The leadership team sifted through several accomplished artists and chose world-renowned artist Ron DiCianni. After hearing the goals of the project, DiCianni accepted the challenge even though it was not an easy one. For example, he had never previously painted anything in the size required, and not only was he going to create one work of art that size, he was going to create four. Several years prior, the Smithsonian had approached him to create paintings of similar size, and he had turned down that project because he didn’t think he could do it. But as he prayed, he believed God was asking him to accept the task.

As DiCianni began the project, he once again spent much time in prayer and seeking God. His desire was for more than beauty. He wanted people to “see” themselves in the paintings. In three of the paintings, DiCianni combined the ancient and the modern to capture the essence that Jesus’ work still continues today. And that is the focus of the work—These core beliefs were true then, and they are true now.

 
 
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